The AEFI-ASAL Protocol: a greener design also in the fittings
Nowadays, the problems related to climate change and the awareness that the planet's resources are not infinite, show us sustainability no longer as an option, but as an obligatory path to follow.
The installations, often temporary and used for events such as fairs, exhibitions and concerts, have a significant impact on the environment due to the production of waste and energy consumption. To reduce the negative impact on the environment, it is therefore important to adopt sustainable practices during their design and construction.
The AEFI-ASAL Protocol of FederlegnoArredo is one of the latest news on this topic.
What is the AEFI-ASAL Protocol?
The FederlegnoArredo AEFI-ASAL Protocol "Set-up guidelines and additions to the district technical regulations" is a document that establishes the guidelines for safety and health protection in the use of furnishing products. This protocol was developed by the Technical Commission of Aefi (Association of Italian exhibitions and trade fairs) with Asal, the trade association in the set-up sector belonging to Federlegno-arredo.
Who are these guidelines intended for and what issues do they address?
The AEFI-ASAL Protocol is intended for manufacturers, distributors, installers and end users of furniture products and focuses on the risks associated with the use of furniture products, such as furniture stability, component safety, labeling and the reporting of dangers and compliance with safety requirements during the design, production, transport and assembly phases.
The principles to be based on are those of the "design for disassembly", i.e. initial design methods that allow for easier final disassembly. In particular, the aim should be the ease of separating the different materials and recycling or disposing of them in the correct way at a later stage.
What is the objective of the AEFI-ASAL Protocol?
The goal is to abandon the concept of linear economy and adopt a circular approach so that waste is minimized and resources are reused efficiently. This includes the obligation on the part of the exhibitors/fitters to correctly manage or send to disposal recovery plants the waste produced during the activity.
But that's not all... the aim is also to make the temporary installations increasingly complete and complex architectures, which make the most of the Made in Italy on display.
In conclusion, displays can have a significant impact on the environment, but through sustainable practices and increased awareness, we can reduce this impact and contribute to a more sustainable future for all. The AEFI-ASAL Protocol of FederlegnoArredo represents, in fact, an important step forward for the safety and protection of health in the use of products in all stages of construction of the exhibition spaces.
Manaly has always been close to sustainability issues and is committed every day to respecting the resources our planet offers us: the PEFC and Legno Veneto certifications are just a few demonstrations of our concern. Manaly sees innovation, safety and sustainability in the protocol, and is enthusiastic about this new working method, coordinated and shared between the exhibition centers and fitters, which accelerates the ecological transition.
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Vicenzaoro: the story of a fair with an international breath
Vicenza, also known as the “city of gold”, happens to be a real jewel.
Our city can already boast a good reputation for being the cradle of Palladio... but the latter's architectures are not the only pearls it loves to show off. Over the years, it has become famous for the Gold Fair (Vicenzaoro), an international event, a point of reference for the goldsmith and jewelery sectors.
Continue reading the article to find out more about Vicenzaoro!
Vicenzaoro between history and tradition
According to tradition, the first documents regarding the prosperity of Vicenza's goldsmith production date back to 1300 (precisely to 1399, i.e. the act of constitution of the Fraglia degli Orafi di Vicenza which at the time brought together as many as 150 craftsmen).
At the time, the skill of the Vicenza goldsmiths was already appreciated by the Venetian nobles and by the Church which, periodically, commissioned them to create extremely precious artefacts. Thanks to the increase in demand, the Vicenza goldsmith's production began to evolve, causing the workshops in Vicenza and Bassano del Grappa to multiply.
However, the sector took off in the 1800s when, alongside the artisan workshops, real companies began to be born, small in size and generally family-run. In fact, they must be credited with having been able to project this art into the future, reaching very high levels of workmanship and always remaining at the peak of creativity over time. A centuries-old tradition, therefore, from the craftsman to the industry that has given Vicenza the title of "city of gold" and international fame.
Vicenza currently produces a third of the entire Italian goldsmith work!
Vicenzaoro today
For several years, Vicenzaoro has been the most important goldsmith trade fair in Italy and abroad. The numbers confirm its success: over 1,300 brands from 35 countries, always keeping the goldsmith tradition of this city at the center and becoming its most modern evolution.
The inevitable consequence was that Vicenza also became the home of the first Jewelery Museum in Italy (one of the few in the world!), which is housed in the Basilica Palladiana, created by Exhibition Group Spa with the support of the Municipality of Vicenza.
January 2023 edition - the real restart
The arrival of covid has affected the entire trade fair sector, including the gold fair: in 2020 both editions were skipped and instead restarted from September 2021, but with certain measures and restrictions to be respected.
From the point of view of the set-up, we can say that the real restart was seen from the edition that has just ended as for the three post-pandemic editions (September 2021 - March 2022 - September 2022) the stands created were pre-fitted stands (to meet the difficulties of the period), while for this first edition of 2023 the stands are once again personalized.
Manaly has followed the construction of 9 stands and some common areas of the fair. This involved a great deal of planning work but also internal planning and management, as all the stands belonged to the same event. (Watch and leave a heart to our summary reel on our instagram page!)
As always, the fair was sold out, filling all the pavilions and confirming all the major national and international exhibitors.
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